James Joyce is the author of
the short story "The Sisters." This story, recounting in first person
the experience of a young boy as he faces the death of his older friend, is
presented in Joyce's collection of short stories, known as The Dubliners. The story
begins as the narrator or young boy is expecting the death of his older friend
due to the old man's paralysis that arises from multiple strokes. The old man
dies, and the boy is puzzled by the way that he and the world do not feel
extreme sadness. The boy is also puzzled by the remarks of his aunt and uncle's
family friend. The friend says that the old man, who was a priest, was not good
company for the boy. Furthering this negative depiction of the priest, the
sisters of the priest allude to mental illness of the old man when the boy and
his aunt show their respect to the dead.
From a
biographical standpoint, "The Sisters" is a reflection of the
author's views toward the Catholic Church and the clergy. The narrator has
respect for the old priest. When an old family friend comes to tell of the
death of Father Flynn, the boy's aunt and uncle are watching for a reaction
from the boy. The boy is frustrated and angered by the statements of the family
friend because the friend feels that the old priest was not good company for
the boy. Joyce states, "I crammed my mouth with stirabout for fear I might
give utterance to my anger" (2). This emotion from the boy shows that he
enjoyed the old man's company. The boy respects the priest and wants to be
around him regardless of the family friend saying to "let a young lad run
about and play with young lads..."(Joyce 2). The boy, reflecting after the
old man's death, says that the priest taught him "a great deal"
(Joyce 3). The respect of the boy toward the priest shows that Joyce does not
have a quarrel with priests themselves even though he finds religion to be
stifling. The boy was nervous at first in befriending the priest. The way that
the priest held his tongue and face made the boy "feel uneasy in the
beginning of our acquaintance before I knew him well" (Joyce 4). However,
after the boy learned to understand the priest, the possibility of them not being
friends angered the boy. However, the admiration the boy held for the priest
did not transfer to any respect for the church itself. The priest, who taught
the boy how to "pronounce Latin properly" (Joyce 3) and to understand
the meaning behind church rituals, was himself stifled by the church. Joyce
states, "The duties of priesthood were too much for him" (6). The
priest was hindered by his duties of the church. He taught the boy that even
the smallest and simplest actions of a clergyman have great meaning and
symbolism that cannot easily be explained. The pressure upon the priest, a
pressure that made him a "disappointed man" (Joyce 6), shows that
Joyce views the Church as a negative influence upon the priest. Joyce, seen
through the perception of the boy, views the Church as part of the reason for
the sad end the priest, a dear friend. The priest, a loved character of the
boy, is crushed by the pressure of the Church. The priest's bad mental state,
alluded to by the sisters at the end of the story, was brought about because of
"the chalice he broke" (Joyce 7). This pressure of the Church leads
the reader to see the Church as setting an impossible and unattainable
standard. The priest character places a positive light on clergy by being a man
whom is kind to children.
Through the perspective of the
youth, the church can be seen as an overshadowing pressure on the liked
priest. However, beyond the
comprehension of the child, the reader receives a perception of the church and
the priest that forces him or her to consider the viewpoint of the author
towards all of the Catholic religion. The boy has a dream in which the priest's
face confesses some sin "in a murmuring voice" (Joyce 2). The boy
also remembers "some land where the customs are strange" (Joyce 4)
toward the end of his dream; this place perhaps being Persia. The boy does not
reveal what the priest confessed and does not recall the meaning of the strange
land at the end of the dream. This dream or hidden revelation leaves a tension
in the mind of the reader. This tension is increases by the story that the
sister tells at the end of “The Sisters.” The sister, Eliza, tells of how the priest was found
in the confession box in the dark "wide-awake and laughing-like softly to
himself" (Joyce 7) after the incident of the dropped chalice. The dream of
the boy and the possibly unstable mental state of the priest reveals Joyce's
deeper uncertainly with religion and religious figures in general despite the
fact that the perspective of the child leads the reader to like the priest
regardless of the mysteries of the church.
Joyce, James. "The Sister." The Dubliners. New York: Dover Publications, Inc., 1991. Print.
I'm interested in where you discuss how the boy exerts strong emotions toward the priest whenever others talk about how he should not be friends with him; however he does not feel "extreme sadness," as you put it, upon his death. Could this be a dynamic change in the boy's views of the priest? I'm wondering how much of it had to do with the way he died/what caused (or is believed to have caused) his death, how much of it had to do with his any views from his family, or how much it had to do with his views on religion. Interesting article -- Kennedy Pope
ReplyDeleteWhile reading this, I had the themes and ideas from Joyce's other works in mind. I find it interesting that the boy had so much respect and care for the priest, yet he had no strong sad emotions when he passed. I think this is because of the influence around him; it may even be that, because he was so close to the priest, that he knew upon death that the priest would be in a better place, regardless of his dislike for the Church. The Church does not define the religion, it merely houses religious believers for fellowship(or that is what I was brought to believe). The sisters' revelation of mental instability simply adds to the boy's dislike of the Church, but,because he was so close to a religious figure who he admired, he may be less skeptical about religion.
ReplyDeleteI'm not surprised that Joyce questions the role of Church in the lives of people. I like that Joyce uses the theme of paralysis to show not only the major parts of Father Flynn's death, but also his life. Joyce suggests that the rituals of religion and the pressure of clerical life can cause paralysis in a person. People experience events that paralyze them in a figurative manner, which keeps them from taking action or fulfilling their desires. Paralysis is a way that people experience a sort of death in life.
ReplyDeleteThis sounds like a really interesting story. I'm curious as to why the boy would feel such strong feelings toward the priest. It is also weird that he felt strongly for him when he was alive, but was not upset by his death. The fact that the sisters and the family friend seemed to disapprove of the relationship the boy and the priest had is also strange. I like the point you made about Joyce's possible mistrust of the church as an explanation. If Joyce did not trust the church as an adult it would make sense that the older characters in the story were suspicious of the priest and the young, innocent boy was not.
ReplyDeleteI thought this story used the physical presence of Father Flynn throughout the story to show how a death interrupts normal human activities. Father Flynn's approaching death and the memories allow the reader to think of Father Flynn with mystery. Father Flynn may be dead, but he is still present with the living, their memories, and their actions. I also liked how you connected this to the church. Great analysis.
ReplyDeleteThis story is a good sample of Joyce's distraction with death and its effect on the living. One thought on the boy's change of emotion toward the priest upon his death is that perhaps he was attracted to the thought of befriending the priest simply because it was almost an act of rebellion. Joyce wants us to believe that the church is pressure and insincerity, and the priest is the symbol of the church's shortcomings. If the boy's family believes this too, then he is going against that, and befriending this interesting symbol is an adventure for him. That his family wanted him to stop hanging with the priest only strengthened that appeal, unsurprisingly. When the priest was gone, the pressure was off, and the veil was lifted: the friendship was more shallow than the boy liked to think.
ReplyDeleteI am wondering if the possibility of the priest having a mental illness is reliable or not. Is the boy unable to see the priest's mental illness because of his friendship with him or are the sisters placing stereotypes onto the priest because they do not truly know him like the boy does? I also think it is a possibility that the boys confusion over the lack of emotions at the priest's death is a commentary that we become desensitized to death as we grow older. Although everyone goes through the motions of grieving like going to the funeral, etc. none of them really care that he died. This sounds like an interesting story, I might have to read it! -Hollie Roberts
ReplyDeleteThis is a very thought provoking story and I was also intrigued by your analysis. I began to wonder about the boy and how he really felt toward the priest. He was not emotional but why? I agree with Hollie that it could have been due to the fact that he was desensitized toward death. I think if you're around death enough it happens. However, they were close so I would think that he would still feel sadness. I really enjoyed analyzing your analysis, Jacob!
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