Monday, March 18, 2013

"The Sisters" - Jacob Ezell


James Joyce is the author of the short story "The Sisters." This story, recounting in first person the experience of a young boy as he faces the death of his older friend, is presented in Joyce's collection of short stories, known as The Dubliners.  The story begins as the narrator or young boy is expecting the death of his older friend due to the old man's paralysis that arises from multiple strokes. The old man dies, and the boy is puzzled by the way that he and the world do not feel extreme sadness. The boy is also puzzled by the remarks of his aunt and uncle's family friend. The friend says that the old man, who was a priest, was not good company for the boy. Furthering this negative depiction of the priest, the sisters of the priest allude to mental illness of the old man when the boy and his aunt show their respect to the dead.

            From a biographical standpoint, "The Sisters" is a reflection of the author's views toward the Catholic Church and the clergy. The narrator has respect for the old priest. When an old family friend comes to tell of the death of Father Flynn, the boy's aunt and uncle are watching for a reaction from the boy. The boy is frustrated and angered by the statements of the family friend because the friend feels that the old priest was not good company for the boy. Joyce states, "I crammed my mouth with stirabout for fear I might give utterance to my anger" (2). This emotion from the boy shows that he enjoyed the old man's company. The boy respects the priest and wants to be around him regardless of the family friend saying to "let a young lad run about and play with young lads..."(Joyce 2). The boy, reflecting after the old man's death, says that the priest taught him "a great deal" (Joyce 3). The respect of the boy toward the priest shows that Joyce does not have a quarrel with priests themselves even though he finds religion to be stifling. The boy was nervous at first in befriending the priest. The way that the priest held his tongue and face made the boy "feel uneasy in the beginning of our acquaintance before I knew him well" (Joyce 4). However, after the boy learned to understand the priest, the possibility of them not being friends angered the boy. However, the admiration the boy held for the priest did not transfer to any respect for the church itself. The priest, who taught the boy how to "pronounce Latin properly" (Joyce 3) and to understand the meaning behind church rituals, was himself stifled by the church. Joyce states, "The duties of priesthood were too much for him" (6). The priest was hindered by his duties of the church. He taught the boy that even the smallest and simplest actions of a clergyman have great meaning and symbolism that cannot easily be explained. The pressure upon the priest, a pressure that made him a "disappointed man" (Joyce 6), shows that Joyce views the Church as a negative influence upon the priest. Joyce, seen through the perception of the boy, views the Church as part of the reason for the sad end the priest, a dear friend. The priest, a loved character of the boy, is crushed by the pressure of the Church. The priest's bad mental state, alluded to by the sisters at the end of the story, was brought about because of "the chalice he broke" (Joyce 7). This pressure of the Church leads the reader to see the Church as setting an impossible and unattainable standard. The priest character places a positive light on clergy by being a man whom is kind to children. 
            Through the perspective of the youth, the church can be seen as an overshadowing pressure on the liked priest.  However, beyond the comprehension of the child, the reader receives a perception of the church and the priest that forces him or her to consider the viewpoint of the author towards all of the Catholic religion. The boy has a dream in which the priest's face confesses some sin "in a murmuring voice" (Joyce 2). The boy also remembers "some land where the customs are strange" (Joyce 4) toward the end of his dream; this place perhaps being Persia. The boy does not reveal what the priest confessed and does not recall the meaning of the strange land at the end of the dream. This dream or hidden revelation leaves a tension in the mind of the reader. This tension is increases by the story that the sister tells at the end of The Sisters. The sister, Eliza, tells of how the priest was found in the confession box in the dark "wide-awake and laughing-like softly to himself" (Joyce 7) after the incident of the dropped chalice. The dream of the boy and the possibly unstable mental state of the priest reveals Joyce's deeper uncertainly with religion and religious figures in general despite the fact that the perspective of the child leads the reader to like the priest regardless of the mysteries of the church.

Joyce, James. "The Sister." The Dubliners. New York: Dover Publications, Inc., 1991. Print.

8 comments:

  1. I'm interested in where you discuss how the boy exerts strong emotions toward the priest whenever others talk about how he should not be friends with him; however he does not feel "extreme sadness," as you put it, upon his death. Could this be a dynamic change in the boy's views of the priest? I'm wondering how much of it had to do with the way he died/what caused (or is believed to have caused) his death, how much of it had to do with his any views from his family, or how much it had to do with his views on religion. Interesting article -- Kennedy Pope

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  2. While reading this, I had the themes and ideas from Joyce's other works in mind. I find it interesting that the boy had so much respect and care for the priest, yet he had no strong sad emotions when he passed. I think this is because of the influence around him; it may even be that, because he was so close to the priest, that he knew upon death that the priest would be in a better place, regardless of his dislike for the Church. The Church does not define the religion, it merely houses religious believers for fellowship(or that is what I was brought to believe). The sisters' revelation of mental instability simply adds to the boy's dislike of the Church, but,because he was so close to a religious figure who he admired, he may be less skeptical about religion.

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  3. I'm not surprised that Joyce questions the role of Church in the lives of people. I like that Joyce uses the theme of paralysis to show not only the major parts of Father Flynn's death, but also his life. Joyce suggests that the rituals of religion and the pressure of clerical life can cause paralysis in a person. People experience events that paralyze them in a figurative manner, which keeps them from taking action or fulfilling their desires. Paralysis is a way that people experience a sort of death in life.

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  4. This sounds like a really interesting story. I'm curious as to why the boy would feel such strong feelings toward the priest. It is also weird that he felt strongly for him when he was alive, but was not upset by his death. The fact that the sisters and the family friend seemed to disapprove of the relationship the boy and the priest had is also strange. I like the point you made about Joyce's possible mistrust of the church as an explanation. If Joyce did not trust the church as an adult it would make sense that the older characters in the story were suspicious of the priest and the young, innocent boy was not.

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  5. I thought this story used the physical presence of Father Flynn throughout the story to show how a death interrupts normal human activities. Father Flynn's approaching death and the memories allow the reader to think of Father Flynn with mystery. Father Flynn may be dead, but he is still present with the living, their memories, and their actions. I also liked how you connected this to the church. Great analysis.

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  6. This story is a good sample of Joyce's distraction with death and its effect on the living. One thought on the boy's change of emotion toward the priest upon his death is that perhaps he was attracted to the thought of befriending the priest simply because it was almost an act of rebellion. Joyce wants us to believe that the church is pressure and insincerity, and the priest is the symbol of the church's shortcomings. If the boy's family believes this too, then he is going against that, and befriending this interesting symbol is an adventure for him. That his family wanted him to stop hanging with the priest only strengthened that appeal, unsurprisingly. When the priest was gone, the pressure was off, and the veil was lifted: the friendship was more shallow than the boy liked to think.

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  7. I am wondering if the possibility of the priest having a mental illness is reliable or not. Is the boy unable to see the priest's mental illness because of his friendship with him or are the sisters placing stereotypes onto the priest because they do not truly know him like the boy does? I also think it is a possibility that the boys confusion over the lack of emotions at the priest's death is a commentary that we become desensitized to death as we grow older. Although everyone goes through the motions of grieving like going to the funeral, etc. none of them really care that he died. This sounds like an interesting story, I might have to read it! -Hollie Roberts

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  8. This is a very thought provoking story and I was also intrigued by your analysis. I began to wonder about the boy and how he really felt toward the priest. He was not emotional but why? I agree with Hollie that it could have been due to the fact that he was desensitized toward death. I think if you're around death enough it happens. However, they were close so I would think that he would still feel sadness. I really enjoyed analyzing your analysis, Jacob!

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